DIOR'S 'PALMYRE' DRESS

Christian Dior's 'Palmyre' gown / Image via Palais Galliera

Christian Dior's 'Palmyre' gown / Image via Palais Galliera

I recently had the pleasure of illustrating the cover of a screenplay for an in-development film!
While I can't reveal too much about the film itself just yet, I can share with you the illustration, and fawn over its subject a little bit.
Fashion enthusiasts might recognise this beautiful vintage Dior gown from 1952 - Christian Dior's famous 'Palmyre' design.
The film centers around many such precious gowns, and I've got my fingers crossed that we will see it on our screens in the not-too-distant future.
For a film-obsessed gal like me, this is probably one of the most interesting and exciting commissions I've had to date.
(To learn a little more about the process of script to screen, and also get a little couture illustration in on the side, is my idea of the perfect project!)
I hope you enjoy this peek at the process of draft to final...we wanted to keep the figure quite simplistic so as to draw all of the attention to that glorious gown!

ALICE IN GUCCI-LAND

Gucci Pre-Fall 2016

Gucci Pre-Fall 2016

Viktor & Rolf, Photographed by Annie Leibovitz for Vogue US, 2003

Viktor & Rolf, Photographed by Annie Leibovitz for Vogue US, 2003

Photographed by Margaret Zhang for Seduce

Photographed by Margaret Zhang for Seduce

Photographed by Alexandra Sophie for Vogue China, 2016

Photographed by Alexandra Sophie for Vogue China, 2016

Given my love of Lewis Carroll's Alice, there was no question I would have to continue the series with her adventures 'Through the Looking Glass.'
The chief inspiration behind this piece was this incredible Gucci gown.
As soon as I saw it I immediately pictured it on our Queen of Curiosity. I mean, if ever a dress was made for its subject...

Taking place after she fell down the rabbit hole, 'Through the Looking Glass' sees Alice pulled into the 'other' room, where everything is back-to-front and the inhabitants have a flair for poetry!
While Wonderland was all about flamingos, rabbits and mad tea parties, the looking glass takes us into a giant game of chess and Alice's determination to become a Queen.
Those familiar with the tale, will also remember that the Tweedles first appear in 'Through the Looking Glass', and not 'Wonderland' as is commonly believed, so I had to include them in my version.

If you've not read the book, you can A) DO IT! NOW! or B) catch one of the many film adaptations, including this one from the BBC starring Kate Beckinsale and a whole lot of mad British fashions (take particular note of the supermodel flower bed.)
I also hope you enjoy some of these looking glass inspired images!

'The Looking Glass' is available to order now in my shop in both A3 + A2 sizes here: www.birdyandme.bigcartel.com
(Limited to a quantity of 40 + 15 respectively.)

VOGUE ESPAÑA

I'm so honoured to have my Viktor & Rolf illustration featured inside the latest supplement from Vogue España!
In a special feature about the relationship between fashion and illustration, my work is published alongside that of the wonderful Judith Van Den Hoek and Sarah Beetson - both also rep'd by my agency Illustration Ltd. Go, team!
You can find the article inside Vogue Tech with the June issue of Vogue España - on sale now.

FLOATING IN DIOR HEAVEN

Illustration based on the Lady Dior Pre-Fall 2014 Campaign, Photographed by Jean-Baptiste Mondino.

Illustration based on the Lady Dior Pre-Fall 2014 Campaign, Photographed by Jean-Baptiste Mondino.

Illustration based on the Lady Dior Pre-Fall 2014 Campaign, Photographed by Jean-Baptiste Mondino.

Illustration based on the Lady Dior Pre-Fall 2014 Campaign, Photographed by Jean-Baptiste Mondino.

I had originally intended this post to be something of a re-cap of my visit to the Christian Dior museum in Granville. The museum displays pieces from its archives, along with rotating exhibits - the current being 'Femmes en Dior' which includes 49 gowns and photographs of loyal, royal and celebrity clients and spokes models of the fashion house.
I was due to take an early train this morning, however the current transport strikes in Paris meant that it was cancelled, which was more than a disappointment.

So imagine my surprise, upon visiting instead the original Dior flagship store on Avenue Montaigne, to find a very special 'open house' at the Maison next door as part of the LVMH Journées Particulières event. Opening their doors to small groups for one weekend only, the beautiful spiral staircase led to rooms and rooms set up with displays from each area of the design house; couture, jewellery, accessories and parfums.

I can't even describe how incredible it was to see - and hear - each worker explain his or her process. I don't even speak French, but it was clear for everyone to see how each individual piece is created. I'm still pinching myself that I was able to have such an up-close experience with such a special design house and to see so many iconic pieces IRL.
It definitely more than made up for that missed train to Granville...

The illustration above is based on Christian Dior's Lady Dior Pre-Fall campaign from 2014, photographed by Jean-Baptiste Mondino. One of my all-time favourites.

BELLA HADID X MISHA COLLECTION

Bella Hadid for Misha Collection

New work for luxe Australian label, Misha Collection, and their collaboration with the stunning Bella Hadid.
Attending this year's Mercedes-Benz Fashion Week Australia to open and close the Resort '17 show, Bella is also the face of their new 'Misha Gold' line.

I loved working on this image - after all, what can be better than monochrome brush strokes and a Hadid in a little black dress?

View more at www.mishacollection.com.au

Original photograph by Nino Munoz for Misha Collection.

DIOR AND I GIVEAWAY

On Sunday I went to see the brand new fashion documentary by Frédéric Tcheng, 'Dior and I'.
The film documents the appointment of the brilliant Raf Simons as new Creative Director of Dior and the subsequent weeks (8, in fact) that followed - the time in which he and his team had to entirely design and create the next Haute Couture collection. No small feat.

For those that follow fashion, and in particular the Couture collections, this could not be a more riveting film.
We see the moment that Raf is introduced to the Dior staff and the Atelier team (the incredibly talented tailors and dressmakers that create and assemble each design from Raf's vision.)
We see his design process, we meet the staff members, we discover the world of Couture.
We learn that 8 weeks to design and create an entire collection, Couture no less, is extreme.
Using some of the finest, most intricate, methods and processes in dressmaking; it's an artform.

Sometimes in the frenzied glamour that is the fashion world, the speed in which it moves and we consume, we forget to acknowledge the talented hands behind-the-scenes, the ones that work busily, stitching, cutting, crimping, and pressing, to bring the designer's incredible vision to life.
This film celebrates all of those involved in presenting the collection and it's a true feat to behold.

Amongst the chaos there are moments of genius, anxiety-ridden meetings, heart-melting confessions, and a true pride and sense of triumph in those final moments of "the show."
It's emotional and a joy to watch. When it ends you just want the whole thing to begin again.
I can't even begin to talk about the flower walls at the final presentation.
I still remember watching the collection's live show on my laptop at 1am (Australian time) my mouth agape at the breath-taking beauty of an entire house covered in fresh flowers.
To see how that stroke of genius came about was just another treasure.

To celebrate the release of the film, I've teamed up with Madman Entertainment to give away
10 double passes to see 'Dior and I' during it's theatrical run.
One major winner will also take home a DVD pack of fashion films, along with their film pass,
including 'The September Issue', 'Mademoiselle C', 'The Tents', and 'Bill Cunningham New York'.
Lucky duck!

To enter the competition hop on to social media and be sure to do the following:

INSTAGRAM: Follow @birdyandme, like and re-gram the competition image
using the hashtag #birdydiorcomp + tag @birdyandme in your post.
FACEBOOK: Follow the 'Birdy & Me' page, like and share the competition image.
Simple!

Be quick, though, as the competition ends TOMORROW!
Winners will be drawn at random and announced on Thursday, 2nd April.
5 winners will be drawn from each platform (including the major prize winner.)
Please also note that the competition is open to Australian residents only.
Good Luck!

For more information on the film, in cinemas now, visit: www.diorandimovie.com/australia

A BLACKBIRD + COMME DES GARÇONS

Blending my love for Paris and Tokyo by delving into the archives of Comm Des Garçons for this new illustration.
I love the monochromatic magic of the sculptural S/S 11 collection - and when paired with a little YSL bow tie and a half-bun - how can you go wrong.
This is also the first time i've 'put a bird on it' in a while!

DIOR

Next in the Couture series is the always polished, and a little bit bold, Dior.
One of the major stand-outs of the show was the hair. The hair!
I feel like those glorious ponytails require a moment of quiet reflection, to ensure that they are fully appreciated.

One of the things that I LOVE about Dior, and especially since Raf Simons took the helm, is that each collection becomes a modern reflection on time.
Fashion is always re-inventing itself, and I feel like Raf's designs for Dior epitomise this notion.
While the last collection was influenced by a Marie-Antoinette-esque 18th Century silhouette, with large bustles and exaggerated waistlines, this season Dior have ventured a little further into the future/past and revealed a collection that is heavily inspired by the silhouettes of the 60s. Mod shift dresses and poodle skirts are given a contemporary reinterpretation through psychedelic appliqué, cut out waist panels, and shimmering pleats.

It was hard to choose just one look as they were all so incredibly different. So I went for two.

Image Credit: vogue.co.uk